Video and audio guide

Edit 4K video in Final Cut Pro

Create an edit-friendly 4K workflow for current Final Cut Pro projects.

Updated September 4, 2026By

The free version limits many processing operations to the first three minutes. Check compatibility and trial limits.

  • Media filesVideo or audio files
  • Choose ProResOutput matched to this workflow
  • Final Cut Pro checkVerify before batch processing

Problem and solution

Match the output to its destination.

Check the codecs inside the source container and the requirements of the target player, editor, or device before converting.

Prepare 4K media for Final Cut Pro

Current Final Cut Pro releases can edit many 4K camera formats directly. ProRes remains useful when the source codec is unsupported, decoding is too demanding, or a project needs uniform editing media.

Choose ProRes, retain the source resolution and frame rate, and test a representative clip for color, motion, picture, and audio before converting the complete shoot.

Solution direction

Apply the solution in the workflow below.

Create an edit-friendly 4K workflow for current Final Cut Pro projects.

Three-step workflow

Create and verify one test output before processing the full batch.

Create an edit-friendly 4K workflow for current Final Cut Pro projects.

01

Add the source

Load the 4K source files

Open LosslessConverter and select Add Files. Add the 4K source files and select the files required for this workflow.

LosslessConverter main window with the source controls visible
Source toolbarLoad the source from the main toolbar.
02

Create editing-ready media

Choose Editing > ProRes

Open Output Format, select the Editing group, and choose ProRes. Select Same as source to retain the source dimensions; choose HD 1080P or HD 720P only when the project deliberately uses that resolution.

LosslessConverter Output Format menu with Editing and ProRes selected
ProResSelect Editing, then choose ProRes.
03

Create the current output

Select Start All, then verify in Final Cut Pro

Choose an output folder and select Start All. When processing finishes, import the ProRes MOV files into Final Cut Pro and verify resolution, frame rate, color, picture, and audio before editing.

LosslessConverter main window with Start All ready at the lower right
Start AllRun the task, then verify the result.

Try it with your own media

Process one file, verify the result, then run the full batch.

The free version limits many processing operations to the first three minutes. Check compatibility and trial limits.

Primary sources

Official references for this workflow

Use these first-party references to confirm current format, application, or device support. Capabilities can change after this guide is updated.