Camera workflow

Edit Canon EOS C100 AVCHD in Final Cut Pro

Prepare long-GOP MTS footage for a reliable Apple editing timeline.

Updated September 4, 2026By

The free version limits many processing operations to the first three minutes. Check compatibility and trial limits.

  • Camera footageCamera or camcorder files
  • Choose ProResOutput matched to this workflow
  • Final Cut Pro checkVerify before batch processing

Problem and solution

Check the camera format before choosing a workflow.

Keep the original card structure when available, then confirm the codec, frame rate, scan type, and editor support before converting.

Prepare Canon C100 AVCHD for Final Cut Pro

Keep the complete Canon AVCHD card structure and try current Final Cut Pro import first. Conversion is useful only when the source mode is unsupported, the folder structure is incomplete, or timeline decoding is unreliable.

Create ProRes when an editing intermediate is required, match resolution and frame rate, and verify picture, color, audio, timecode, and sync. Remove old launch claims and anonymous testimonials that do not help the workflow.

Solution direction

Apply the solution in the workflow below.

Prepare long-GOP MTS footage for a reliable Apple editing timeline.

Three-step workflow

Create and verify one test output before processing the full batch.

Prepare long-GOP MTS footage for a reliable Apple editing timeline.

01

Add the source

Load the Canon EOS C100 AVCHD clips

Open LosslessConverter and select Add Files. Add the Canon EOS C100 AVCHD clips and select the files required for this workflow.

LosslessConverter main window with the source controls visible
Source toolbarLoad the source from the main toolbar.
02

Create editing-ready media

Choose Editing > ProRes

Open Output Format, select the Editing group, and choose ProRes. Select Same as source to retain the source dimensions; choose HD 1080P or HD 720P only when the project deliberately uses that resolution.

LosslessConverter Output Format menu with Editing and ProRes selected
ProResSelect Editing, then choose ProRes.
03

Create the current output

Select Start All, then verify in Final Cut Pro

Choose an output folder and select Start All. When processing finishes, import the ProRes MOV files into Final Cut Pro and verify picture, frame rate, timecode, and audio.

LosslessConverter main window with Start All ready at the lower right
Start AllRun the task, then verify the result.

Try it with your own media

Process one file, verify the result, then run the full batch.

The free version limits many processing operations to the first three minutes. Check compatibility and trial limits.

Primary sources

Official references for this workflow

Use these first-party references to confirm current format, application, or device support. Capabilities can change after this guide is updated.