Camera workflow

Panasonic HC-X900 AVCHD import and editing guide

Identify HC-X900 and HC-X900M AVCHD modes, preserve the camera folder, and create an editing copy only when the current editor needs one.

Updated September 11, 2026By

The free version limits many processing operations to the first three minutes. Check compatibility and trial limits.

  • Camera footageCamera or camcorder files
  • Editing formatOutput matched to this workflow
  • Editor-ready mediaVerify before batch processing
Panasonic HC-X900M camcorder family

Topic reference

Check the camera format before choosing a workflow.

Keep the original card structure when available, then confirm the codec, frame rate, scan type, and editor support before converting.

A legacy camcorder workflow reference

The Panasonic HC-X900 and HC-X900M are older AVCHD camcorders. This guide is for owners working with existing recordings, not a current camera recommendation. It explains how to identify the recording structure and prepare media for a modern editor without changing more than the workflow requires.

Identify the AVCHD mode

HC-X900 recordings can differ by resolution, frame rate, progressive or interlaced scan, audio layout, and 3D mode. Inspect the clip properties before choosing an output. Keep the complete PRIVATE/AVCHD camera folder when available: playlists and metadata help an editor interpret spanned clips and recording settings that an isolated MTS file cannot describe.

Use current editor support

Try the current editor's camera or AVCHD import workflow first. If native import works, keep the original media in the project. Create a ProRes, DNxHD, or other documented editing copy only when the source mode is unsupported, the folder structure is incomplete, or long-GOP decoding makes the timeline unreliable. Preserve 50p or 60p when the project is meant to retain high-frame-rate motion; do not replace it with 25p or 30p just because a preset is easier to find.

Test before processing a shoot

Open one representative clip and verify resolution, cadence, interlacing, color, picture detail, audio channels, timecode, and sync in the intended editor. Check both the start and a spanned-clip boundary. Keep the source card structure until the project and every converted file have passed review.

When conversion is required

Test one representative file before processing the full collection.

The free version limits many processing operations to the first three minutes. Check compatibility and trial limits.

Primary sources

Official references for this workflow

Use these first-party references to confirm current format, application, or device support. Capabilities can change after this guide is updated.